This is the kind of scheme I reach for when a room needs to feel open and easy. Pale Fern leads as a barely-there green, and Misty Sage sits right beside it as a softer echo, so the two greens blur together instead of competing.
Soft White and Warm Cream do the quiet work as the base, keeping everything light and reflective. They lean a touch warm, which stops the greens from going cold or clinical the way pale paints sometimes do.
The one move that earns its place is Soft Eucalyptus as the accent — a deeper, grayed green for a door, a bench, or trim. It gives the eye somewhere to land and keeps this airy, contemporary palette from drifting into nothing.