Ball of String
Dunn-Edwards' twine-colored cream-beige, reviewed honestly: the kitchens it was listed for, the yellow that shows on four walls, and what to pick instead.

- 1Agreeable Gray60
- 2Pale Oak69
- 3Ball of String76
- 4Dover White83
- 5Moonlit Beach88
The Fast Verdict
Ball of String is kitchen twine on a wall: a light creamy beige with a real yellow whisper, LRV 76, filed in Warm Neutrals — not Whites. Dunn-Edwards keeps putting it on kitchen and dining lists because oak, brass, and travertine love it. It is not a white. Give it warm floors and no cooler neighbor and it behaves like linen. Put it next to Whisper or a gallery white, or bake a west wall at 4 p.m., and the yellow is the whole review.
Kitchens and dining rooms with oak, brass, and travertine · cream cabinets · whole-house walls in a warm traditional house · anyone who actually wants beige-cream, not white
You want a white that stays white · trim stays Whisper, Warm White, or builder-bright · cool grey LVP or Carrara · a west wall that bakes all afternoon
- Linen-beige that actually reads as cream, not a vague off-white
- The kitchen-and-dining workhorse DE keeps listing — kind to oak, brass, and travertine
- LRV 76 hides scuffs on cabinets and trim better than brighter whites
- One-color rooms (walls + trim + ceiling) work if you let sheen do the contrast
- A 2006 Warm Neutral with no trend timestamp
- Looks beige — then yellow — on four walls the moment you wanted a white
- Reads dirty next to Whisper, Warm White, Chantilly Lace, or builder-bright trim
- West and hard south sun push it from linen to yellow
- Clashes with cool grey floors, grey LVP, and Carrara-type stone
What Color Is Ball of String, Really?
A light creamy beige with the yellow left on — linen, kitchen twine, unbleached cotton, not a modern off-white pretending to be neutral. Dunn-Edwards files DE6190 in the Perfect Palette Warm Neutrals, which is the honest filing: this is a beige-cream, not a white that got warm. The official chip reads yellow-family at very low chroma (3.29Y, chroma 0.9), enough pigment to show as beige the moment the field is a whole wall. A shopper who sampled it called it a very nice beige with a touch of yellow, and that is the most accurate sentence on the color. It has sat in the deck since at least 2006. It has never been a Color of the Year — Dunn-Edwards does not run that program — and it has no viral room. It is the can you get when the house is warm and the word white is doing too much work.
At LRV 76 it still reflects plenty of light, but it is clearly not a bright white. Whisper sits eleven points higher at LRV 87; Milk Glass is at 86; White Dove at 85; Dunn-Edwards Swiss Coffee at 83; Creamy at 81; Cottage White at 80. That gap is the useful part. On a wall Ball of String holds enough beige body to soften shadows and flatter oak; on cabinets it reads as cream boxes, not gallery-white; on a dining-room field it is linen, not a refrigerator. On four walls in hard afternoon sun the same number is the risk, because once the field is large the yellow has nowhere to hide. On a chip it looks like a soft white. On a sunny wall it looks like string.
Undertone in one line: yellow-beige first, cream second — never pink, never grayed enough to pass as a quiet white. In north or filtered east light the yellow holds to a calm linen, which is the kitchen-and-dining glow the brand keeps promising. In west sun and under 2700K lamps the yellow is the whole story. If your sample flashes green, that is a yellow base in cool light doing what yellow bases do — not a bad batch. If it looks dingy, look at the trim next to it before you blame the gallon.
Where It Shines
Its home turf is the warm main floor. Eggshell Ball of String on kitchen and dining walls, with the same color snapping the millwork in semi-gloss, is the job it was mixed for: cream that makes oak, butcher block, and unlacquered brass look intentional instead of builder-beige. Dunn-Edwards lists it among its kitchen colors and as an all-over dining-room backdrop, and a Houzz homeowner with travertine floors reached for it for the same reason — warm stone wants a yellow-beige neighbor, not a gallery white. Give it north or filtered east light and the yellow stays linen rather than butter. Satin on cabinets is the second-best use: it hides knuckle marks a brighter white would broadcast.



Where It Fails
Almost every regret story about Ball of String is the same story told three ways: someone wanted a white, they put a real white next to it, or the sun had nothing kind to say. The paint is consistent. What changes is the room.
On the chip it passes as a soft creamy white. On four walls the beige sits there in the open — linen, then twine, then a little yellow at the edges. Shoppers matching it to a true white (one Reddit thread called it too yellow next to Pacer White) end up with a color guests will call beige. If white is what you actually want, this is the wrong can. Whisper is Dunn-Edwards' White Dove; Milk Glass is the cream that still reads as white. Ball of String is the one that does not.
Dunn-Edwards lists Whisper (LRV 87) as the trim partner. That is an eleven-point jump, and it is the pairing that makes the cream look unwashed: Ball of String walls, Whisper or Warm White (LRV 93) or Chantilly Lace (LRV 90) on the casings. Leftover builder ceiling-white does the same trick. Run Ball of String on walls and millwork and let eggshell / semi-gloss / flat separate the planes. If you insist on Whisper woodwork, sample a board in afternoon light and believe the beige it names.
A west or unshaded south wall from about four o'clock pushes it from linen to yellow — the same afternoon-flash Creamy and Cottage White are famous for. Separately, grey LVP, grey-washed oak, and Carrara-look stone sit at the opposite temperature and shove the yellow forward until the wall reads sour. Warm rugs will not rescue a whole-room clash. With cool floors, pick Whisper or Milk Glass and let the floor be the soft one.

Room by Room
This is the room Dunn-Edwards keeps listing it for, and the materials are why: oak, butcher block, brass, and warm quartz all sit on the same side of the fence as a yellow-beige. Eggshell on the walls; satin on cabinets if you commit to cream boxes. Cool white quartz or grey tile argues with it — sample a door against the slab.
Dining rooms run on lamplight, and 2700K bulbs make Ball of String look like twine and linen rather than yellow. At LRV 76 it adds warmth without closing a small room in. Eggshell; same color in semi-gloss on the millwork. A west-facing dining room with uncovered glass is the 4 p.m. test, not a given.
With north or filtered daylight, stained oak, travertine, and brass, this is the cream those rooms were built around. Eggshell on the walls; same color in semi-gloss on the millwork. A new build with grey floors and a west glass wall is the skip — sample at 4 p.m. before you buy gallons.
Bedrooms run on filtered daylight and 2700K lamps, which hold the yellow to a warm glow instead of a butter wall. Eggshell; same color on the trim in semi-gloss. Crisp white linens will make the walls look more beige than they are — stay on cream or oatmeal bedding. A dim north cave with cool bulbs is the dingy-beige version; swap the lamps first.
Satin Ball of String on shaker doors is a real cream, not a white that got warm, and it hides scuffs better than Whisper. The catch is commitment: cream cabinets lock in every later choice. Cool white quartz argues; honey oak and unlacquered brass do not. Urethane-fortified cabinet enamel either way.
Dunn-Edwards pairs it with red brick and Reclaimed Wood, and that is the honest exterior job: a house cream on stucco or siding that meets warm masonry halfway. The shaded north elevation will read a step creamier than the sunny south; walk both sides with a sample. Dark trim (Iron Ore, Kendall Charcoal) keeps it from looking unfinished. Sample the west wall at 4 p.m.
Your Light Is the Risk
Cool or shaded light holds the yellow to a calm linen. This is the kitchen-and-dining glow — beige-cream that still reads finished, not butter. Rooms with porches, deep eaves, or east glass are its home turf.
From about four o'clock a sunny wall goes cream, then yellow. The chroma has nowhere to hide. Keep this color off unshaded west walls, or sample at 4 p.m. and believe what you see.
East light is the cleanest, coolest read. Midday is honest linen-beige. Late west sun flushes it yellow for an hour — the same paint, louder, not a new color. Live with a sample through a full day.
2700K bulbs: creamier, cozier, more twine — the reason it works in dining rooms. Cool 4000K–5000K LEDs: dingy yellow-beige. Swap the bulbs before you repaint.

Most complaints about Ball of String are a light mismatch. Upload a photo of your actual room and see it on your walls — then ask for the same wall in north light or evening lamps before you buy a single sample.
Need It From Another Brand?
Any paint counter can custom-tint Dunn-Edwards DE6190 directly. If you would rather stay in one brand's own deck, these are the closest stock matches, measured as ΔE2000. Under 2 is a difference you will not see on the wall.
| Brand | Closest color | ΔE | LRV | |
|---|---|---|---|---|
| Sherwin-Williams | CreamySW 7012 · Sherwin-Williams | 0.8 | 81 | Color page → |
| Behr | Mourning DoveOR-W12 · Behr | 0.5 | 81 | Color page → |
| Benjamin Moore | StonewareCSP-245 · Benjamin Moore | 1.5 | 82 | Color page → |
| Valspar | Grow8003-25A · Valspar | 0.8 | 82 | Color page → |
| PPG / Glidden | Angel FoodPPG1088-1 · PPG / Glidden | 0.5 | 81 | Color page → |
| Glidden | Angel FoodPPG1088-1 · Glidden | 0.0 | 81 | Color page → |
Similar Dunn-Edwards Colors
The nearest shades to Ball of String within Dunn-Edwards's own range, ranked by perceptual color distance — useful when you want the same look a touch lighter, darker, or warmer.
WCAG 2.1: AA is 4.5 : 1 for normal text, 3 : 1 for large text, AAA is 7 : 1.
Ball of String vs the Colors You're Also Considering
Every Ball of String sample board has the same rivals on it. The numbers show the real lightness gap — then it comes down to which risk you would rather live with.
Pick this when you want the beige-linen version: four LRV points deeper, less yellow-white, more kitchen-twine.
Dunn-Edwards DEW318 · LRV 80Cottage WhitePick this if you want the traditional yellow-cream DE specs for older Western houses — brighter, more clearly ivory, still not a white.
Pick this when you want the same cream idea a step deeper and slightly more beige, in a Dunn-Edwards can.
Sherwin-Williams SW 7012 · LRV 81CreamyPick this if your painter works in Sherwin-Williams — a real cream that shows, five LRV points brighter, the national analog.
Pick this when you want yellow-beige linen rather than peach. They sit seven LRV points apart; the difference is undertone and depth.
Dunn-Edwards DEW341 · LRV 83Swiss CoffeePick this for the peachier Southwest default cream — seven LRV points brighter, warmer in a different direction. DE lists both for dining rooms.
Ball of String Coordinating Colors
The rule for coordinating with Ball of String: stay on the warm side of the fence, and do not park a brighter true white next to it unless you have sampled the gap. It flatters warm woods, muted sage, deep navy, and earthy brick — and it argues with icy blues, cool greys, and Carrara-look stone. These are the partners that keep showing up in rooms that work:
A 2006 Warm Neutral, Not a Trend Color
Ball of String is not a new paint. Chip archives date it to Dunn-Edwards' 2006 palette, and it still lives in the Perfect Palette Warm Neutrals — the same shelf as the brand's go-to beige-creams, not the Whites wall. The company still lists it among kitchen and dining-room colors, which is as close to a recommendation as this can gets. That is the whole fame story. No Color of the Year. No viral makeover. No designer who built a career on it.
The honest read of that obscurity is useful. A 2006 Warm Neutral that DE still lists for kitchens and dining rooms is a workhorse, not a leftover. You get the current cream-not-gray mood without a timestamp, and if the beige revival cools off, linen-twine ages the way cream does, not the way accent colors do. Sample it like a beige, not like a white, and it will not surprise you.
Ball of String With Wood Tones, Brick, and Floors
This decision gets made at the floor and the masonry, not the paint store. Warm oak — red, white, honey — walnut, butcher block, and cedar all sit comfortably against Ball of String because the yellow-beige meets theirs halfway. Travertine is the stone version of the same handshake; a Houzz thread about undertones next to travertine is exactly the room this can was mixed for. Dunn-Edwards also pairs it with red brick and Reclaimed Wood, indoors or out: the cream keeps the brick from reading orange, and the brick keeps the cream from reading unfinished.
The one flooring that needs a sample first is cool grey — grey LVP, grey-washed oak, blue-grey tile. Grey floors pull the yellow into relief, and the wall can read slightly sour against them. It is not always a dealbreaker — a large rug and brass can quiet a small clash — but test a big sample above the actual floor before painting the whole room. Metals are the easy part: unlacquered brass, antique bronze, and matte black all work; polished chrome is the one that leans cold against it.
Three Ready Palettes Built on Ball of String
A color is never alone on the wall. These are complete combinations in the 60-30-10 pattern, with the reason each one holds together. Every one opens in the visualizer.
One color at two sheens is how you keep this beige from looking dirty next to a brighter white. Hale Navy supplies the single dark note; brass hardware and oak floors do the rest.
Try this palette in your roomSage cabinets on a linen-beige wall is the current warm kitchen without betting the room on white boxes. Evergreen Fog is muted enough not to fight the yellow; keep the millwork in the same cream so nothing brighter makes the walls look dingy.
Try this palette in your roomThis is the pairing Dunn-Edwards actually publishes for red brick: Ball of String as the creamy body, Reclaimed Wood as the warm-gray neighbor, a near-black to keep the cream from looking unfinished. Walk the sunny and shaded sides before you commit the west elevation.
Try this palette in your roomBall of String FAQ
Is Ball of String white or beige?
Beige — a light creamy one, with a yellow whisper. Dunn-Edwards files it in Warm Neutrals, not Whites, and at LRV 76 it has enough body that four walls will not pass as white. If you wanted Whisper, Milk Glass, or White Dove, this is the wrong can. The name is the tell: kitchen twine, not a gallery wall.
What trim color goes with Ball of String walls?
Ball of String itself, in semi-gloss. Dunn-Edwards lists Whisper as the trim partner, but Whisper sits at LRV 87 — eleven points brighter — and that gap is how the walls start looking dingy. Sample Whisper on a board in afternoon light if you want the snap; otherwise run one color at two sheens. Never a leftover builder white.
Will it look yellow in my room?
In west or hard south afternoon sun, yes — linen at noon, yellow by four o'clock. In north or filtered east light it holds to a calm beige-cream. Cool LEDs make it dingy; 2700K lamps make it cozier. Live with a big sample through a full day before you buy gallons.
Is it good for kitchen cabinets?
Yes, if you want cream boxes. Satin hides knuckle marks better than Whisper, and it flatters brass, butcher block, and oak. Cool white quartz and grey tile argue with the yellow. Urethane-fortified cabinet enamel; sample a door against the actual slab.
Does it work with oak floors? What about grey LVP?
Warm oak — red, white, honey — and travertine are the pairing this color was mixed for. Grey LVP, grey-washed oak, and Carrara-look stone shove the yellow into the open until the wall reads sour. If the grey floor is staying, pick Whisper or Milk Glass instead.
How is it different from Cottage White or Creamy?
Cottage White (DEW318, LRV 80) is the brighter, more yellow-ivory DE cream for traditional houses. Creamy (SW 7012, LRV 81) is the Sherwin-Williams analog — a real cream that shows. Ball of String sits deeper at LRV 76 and reads more beige-linen than yellow-white. Same family, different depth.
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