Benjamin Moore pink paint colors

Pink covers a lot of ground at Benjamin Moore, and this family of 398 colors proves it. You will find barely-there blush whites like Soft Pink (2012-70), warm putty-pinks like Georgetown Pink Beige (HC-56), and deeper, dustier roses like Titanic Rose (2092-50). The thread running through all of them is undertone control, which is what designers and architects come to this brand for.

That matters more with pink than almost any other color. A pink can read peachy, mauve, salmon, or near-beige depending on the light, and Benjamin Moore's pinks are mixed to hold their tone instead of drifting. Antique Coral (1198) leans warm and earthy, while Heirloom (023) keeps a soft, clean blush, so you can pick a direction and trust it stays put.

LRV (Light Reflectance Value) tells you how much light a color bounces back, from near-white at the top to deep and shadowy at the bottom. This pink slice runs from 86 at the lightest down to 17.6 at the darkest, which is a wide spread to work with. Soft Pink (2012-70) at LRV 86 and Pale Oats (2166-60) at 76.3 are airy, whole-wall pinks that read almost neutral in daylight.

The middle is where most rooms live. Kitsilano Beach (CC-278) at 66.8 and Antique Coral (1198) at 62 give you color you can clearly see without going dark. Groundhog Day (1166) at 51 and Titanic Rose (2092-50) at 39.5 are richer choices best saved for accent walls, smaller rooms, or spaces with strong light, since pinks under about LRV 45 can feel heavy across four walls.

The lightest pinks work almost anywhere. Soft Pink and Pale Oats are easy in bedrooms, nurseries, bathrooms, and even main living spaces where you want warmth without obvious color. They flatter skin tones and morning light, which makes them reliable in rooms where people get ready.

The mid and deeper pinks ask for more intention. Georgetown Pink Beige (HC-56) is a quiet, sophisticated pick for whole rooms or trim-heavy spaces, while Antique Coral (1198) and Titanic Rose (2092-50) shine on a single feature wall, a dining room, or a powder room where a little drama is welcome. Test any pink on the actual wall and look at it morning and night, because pink shifts more than most colors as the light changes.

Pink wants a clean, well-chosen white nearby or it can tip toward looking sweet. Benjamin Moore's own off-whites are the natural partners: Chantilly Lace (OC-65) for a crisp, modern edge, White Dove (OC-17) or Simply White (OC-117) for a softer, warmer frame. These are coded OC for Off-White, and the wider system uses HC for the Historical Collection and AF for Affinity, a tightly coordinated palette built to mix and match easily.

For contrast and grounding, a deep neutral keeps pink from feeling one-note. Revere Pewter (HC-172) is a flexible greige companion, and Hale Navy (HC-154) gives a confident, classic pairing on cabinetry or a lower wall. With the warmer pinks like Georgetown Pink Beige, lean into earthy whites and soft taupes; with cooler blush like Heirloom, a true bright white reads cleaner.

Every Benjamin Moore pink here is mixed to order. You bring the name or code to an independent Benjamin Moore dealer, they tint a base to match, and you walk out with that exact color. The brand is not sold in big-box stores, so plan to buy local. Lines run good to best: ben (around $56 a gallon), Regal Select (around $75), and Aura (around $95), the flagship that often covers in one coat.

These colors also cross-match well. Any paint store can scan a Benjamin Moore chip or use an LRV and undertone target to mix a close equivalent in another brand's base, and the same works in reverse to bring a competitor's pink into a Benjamin Moore line. The featured Kompozit deck can be matched the same way, since match is driven by color values, not the label. When you cross-match, confirm with a brushed-out sample rather than trusting the on-screen swatch, because a small tint shift is more visible in pink than in a neutral.