Color comparison

Benjamin Moore Edgecomb GrayvsBenjamin Moore Manchester Tan

Why this comparison: Manchester Tan leans yellow-beige while Edgecomb Gray stays greige — this one is a warmth question. Edgecomb Gray and Manchester Tan are very close (ΔE 2.66). The difference shows up most in side-by-side comparison and under specific light.

Measured, not eyeballed

The Numbers

ΔE20002.66Very closePerceptual color distance. Lower means more alike.
LRV delta0Practically equalLight reflectance: how bright each reads on a wall.
UndertoneSameEdgecomb Gray: red-orange / warmManchester Tan: red-orange / warm

LRV is essentially equal (63 vs 63) — both reflect light the same.

Undertone and depth

What Each Color Really Is

Edgecomb GrayHC-173 · LRV 63

A light warm greige — a gray with real beige in it, not a gray with a hint of beige. The measured hue sits in the orange-tan part of the wheel at 23 percent saturation, which is more color than a true neutral carries. That is why it never looks cold, and also why it can look tan on a big sunny wall instead of the soft gray people expect from the chip. The chip fools people because it is small and surrounded by white card stock; the wall shows the beige.

LRV 63 is the number that decides whether you will like it. Revere Pewter sits at 56, and that seven-point gap is exactly why so many people move here after seeing Revere Pewter go heavy in a hallway. But 63 is not bright — Pale Oak is 67 and Classic Gray is 74, and both of those look noticeably airier on the same wall. Edgecomb Gray is light enough to keep a normal room open and dark enough to go dull when the light runs out.

Full Edgecomb Gray review →
Manchester TanHC-81 · LRV 63

A real tan, not a greige. The chip sits in the warm yellow-to-orange range at moderate saturation, so on a big wall you read sand and warmth, not gray. What surprises people is the second half of that yellow: in cool light it can lean toward olive. This is the single most-repeated thing homeowners say about Manchester Tan — "is mine looking green?" — and it is not a mistint. Warm light pulls the orange side forward and it reads tan; cool light drains the orange and leaves the yellow, and yellow plus gray light is olive.

At LRV 63 it sits at the exact middle of the light scale, which is deeper than most people expect from a fan-deck chip. Next to Edgecomb Gray (HC-173) at LRV 63 it is clearly the darker, warmer, more colored wall, and even against Revere Pewter (HC-172) at 56 it reads a step heavier. That depth is the point in a foyer or dining room, where you want the walls to feel like a color. It is also the reason a windowless hallway can end up looking closed in.

Full Manchester Tan review →
The data

Specs Side by Side

SpecEdgecomb GrayManchester Tan
BrandBenjamin MooreBenjamin Moore
SKUHC-173HC-81
Hex#D9D3C4#DBD2BC
RGB217, 211, 196219, 210, 188
LRV6363
Undertonered-orange / warmred-orange / warm
FamilyNeutralNeutral
Light by light

How Light Changes Them

Edgecomb GrayHC-173 · LRV 63
BESTSouth light

Steady warm light all day keeps it soft and creamy — the version everyone photographs.

THE RISKNorth light

Cool flat light drains the warmth and the gray-green side comes forward. Dim north rooms go drab.

SHIFTSEast / west

Golden and tan at the sun hours, quiet gray after. West rooms can tip peach at sunset.

BULBSArtificial evening light

2700K bulbs push it to plain beige. 3000K to 3500K keeps the gray in it. Swap bulbs, not paint.

Manchester TanHC-81 · LRV 63
BESTSouth light

Warm sun brings the orange side forward. Rich, sandy, never olive — this is the color at its best.

GOES GREENNorth light

Cool gray daylight strips the orange and leaves yellow, which reads olive. The number one complaint.

GOES GOLDEvening light

2700K bulbs deepen it to warm khaki — cozy in a dining room, heavy in a bedroom. 3000K is the sweet spot.

THE RISKA green view outside

Lawn or leaves right at the window bounce green in all summer. Same wall looks fine in winter.

Real rooms

Both Colors in Real Rooms

Photos from our full reviews — the same rooms and captions, so you can judge each color where it actually lives, not on a chip.

Edgecomb GrayHC-173 · LRV 63
Two light directions and oak floors — this is the room Edgecomb Gray was made for, warm without going beige.
Two light directions and oak floors — this is the room Edgecomb Gray was made for, warm without going beige.
On cabinets next to a whiter wall and counter, it reads warm and custom instead of dingy.
On cabinets next to a whiter wall and counter, it reads warm and custom instead of dingy.
Manchester TanHC-81 · LRV 63
Manchester Tan doing what it does best: a south-lit entry where the warmth reads sandy and the white trim looks crisp against it.
Manchester Tan doing what it does best: a south-lit entry where the warmth reads sandy and the white trim looks crisp against it.
In warm afternoon light the tan deepens toward caramel — cozy at dinner, and the reason this color owns traditional dining rooms.
In warm afternoon light the tan deepens toward caramel — cozy at dinner, and the reason this color owns traditional dining rooms.
The decision

When to Pick Which

Benjamin Moore
Pick Edgecomb Gray
Benjamin Moore Edgecomb Gray
Best for

Whole main floors with several windows · homes full of oak, beige tile or cream trim · kitchen cabinets with brass or black hardware · anyone who found Revere Pewter too dark

Skip if

Your room has one small north window · your trim is a bright white and stays that way · you want a clean, cool gray · your counters and tile are cool blue-gray

Benjamin Moore
Pick Manchester Tan
Benjamin Moore Manchester Tan
Best for

Foyers, dining rooms and traditional millwork · houses with honey oak floors, doors or trim · open main floors that need one calm warm color · anyone who finds gray cold and true beige too yellow

Skip if

Your room is north-facing and dim · your floors or tile are cool gray · you want a light, airy off-white · you run 4000K daylight bulbs

Still torn? Let your room decide

No comparison page can see your light. Upload one photo of your room and try both colors on the same walls, seconds apart.

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Questions people actually ask

Edgecomb Gray vs Manchester Tan FAQ

Which is lighter, Edgecomb Gray or Manchester Tan?

They are practically the same lightness — LRV 63 vs 63. Neither will make the room brighter than the other.

Which is warmer, Edgecomb Gray or Manchester Tan?

They share the same undertone family — both read red-orange / warm. The difference between them is lightness and depth, not temperature.

How similar are Edgecomb Gray and Manchester Tan?

Edgecomb Gray and Manchester Tan are very close (ΔE 2.66). The difference shows up most in side-by-side comparison and under specific light. The only reliable test is seeing both in your own room and light — a side-by-side on a screen or chip flattens the difference.

Can I use Edgecomb Gray and Manchester Tan together in one house?

Not in the same room, and be careful in the same house. At ΔE 2.66 they are so close that two walls in each will read as a tinting mistake, not a design choice. Pick one, or keep them on different floors where they are never seen together.

Ask a Question

Jessica Williams

Torn between Edgecomb Gray and Manchester Tan?

Ask Jessica below — every question gets a real reply, usually within a day. Tell her which room, which direction your windows face, and what stays in the room (floor, sofa, countertop).

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